Mark Browning, CEO, Zinc Media Group, adds: “Supercollider is an incredibly exciting proposition. We already have our first project confirmed – a major, branded action film – so we are beyond excited to have hit the ground running.” Zinc is doing more than many other companies in this space I’m a huge fan of the breadth and ambition of Zinc’s work and what they have achieved in the last few years, so I’m thrilled to be working with them on the launch of Supercollider. We are also in a climate where brand involvement in content is fast on the rise. Mike Christie comments: “There is an ever-increasing opportunity in today’s production landscape to create destination films and events – and fusing genres and creating unexpected convergences makes truly stand-out programming.
His directing work across stadium and arena-size live or multi-camera events includes UAE’s 2019 National Day theatrical spectacular and the forthcoming New Order concert film Education Entertainment Recreation. Christie’s specialist factual work includes: the Grierson-shortlisted Sky Arts feature Hansa Studios: By The Wall 1976-90 Th e Secret Life Of Buildings and the award-winning Body Talk for Channel 4 New Order: Decades and Suede: The Insatiable Ones for Sky and The Art Of China, Darcey’s Ballet Heroes, Sir Alex Ferguson: Secrets of Success, Lives Less Ordinary and Little Britain Down Under for the BBC.Ĭhristie is also responsible for commercials and content for agencies including AMV BBDO, Publicis and Universal McCann, and films for the London 2012 Ceremonies and several major brands.
His portfolio includes the RTS-nominated Jump London for Channel 4 which launched parkour/freerunning to a global audience and later spawned Jump Britain feature-length Concrete Circus for Sky, a unique collaboration with the biggest names in urban sports Inside Incredible Athletes, the feature-length documentary that launched Channel 4’s London 2012 Paralympic campaign. Mike Christie’s work moves between high-quality documentaries, high-budget short-form films for brands, event television and stadium and arena-size live or multi-camera events. Supercollider will very much build on the tone and style of Mike’s recent films for his own company ChristieHQ.”Ĭhristie comes to Supercollider from his ChristieHQ, whose projects include the forthcoming New Order concert film Education Entertainment Recreation the Grierson-shortlisted Sky Arts feature Hansa Studios: By The Wall 1976-90 and Danny MacAskill’s Imaginate for Red Bull (which has achieved nearly 100 million views on YouTube). Supercollider, with Mike’s wealth of cross-genre expertise, brings a whole new angle to our family of labels. He has also led very high-profile projects for some of the world’s most exciting brands. An instinctive blender of genres, he’s mixed factual and sport, action and art to create huge event pieces for television. “Anyone who knows Mike knows that he’s truly unique. Now, with the support of Zinc Media, I think there’s a great opportunity to build and expand on the incredible work he’s been doing so successfully on his own.” Greg Sanderson, Director, London Television, Zinc Media Group, says: “Mike has been making amazing programmes for over 20 years. Supercollider will make films and live/event television in music, sports and arts, and high-profile short form branded films.
Pbind(\type, \rest, \dur, Pfuncn(,m).Factual superindie Zinc Media Group has confirmed the launch of a new production label – Supercollider – led by director Mike Christie.Ĭhristie has made films spanning work with major brands including Red Bull, Pepsi and broadcasters such as Sky, the BBC and Channel 4. at the last occurrence, trigger in parallel, while playing, a "\off" message on the mixer to release it A pattern, which output is the audio bus and that must be placed **before**the mixer A mixer that will push the Synths output to a physical output An audio bus that will receive the Synths output How would I do this, so that it does not end abruptly?įor example, instead of sending your Synths to the bus 0, you could send them to a separated “Mixer” Synth with a nice release time that you could release while playing your pattern.Į.g.
0 kommentar(er)
